Maybe this is the influence of Rahm Emanuel, who happened to admire Hegel and "the nineteenth-century German thinkers" during his student days.
(Thanks to David Wood for the tip)
A Blog About German Idealism
I dream of a theory that makes the transition from the ordinary idiom to canonical notation purely mechanical, and a canonical notation rich enough to capture, in its dull and explicit way, every difference and connection legitimately considered the business of a theory of meaning. The point of canonical notation so conceived is not to improve on something left vague and defective in natural language, but to help elicit in a perspicuous and general form the understanding of logical grammar we all have that constitutes (part of) our grasp of our native tongue.I guess my dreams are are a bit more exciting than Davidson's. This is from some of his comments about his essay, "The Logical Form of Action Sentences." Davidson's book was not the first one I grabbed. Strawon's Skepticism and Naturalism: Some Varieties was the obvious choice, but it only has 98 pages.
In exploring the logical form of sentences about actions and events, I concentrated on certain features of such sentences and neglected others.
Agriculture? I'd rather kill myself than study agriculture. But after three years in Berlin I'd be qualified for a professorship. I am prepared for it. I was on the wrong track with Fichte, I admit it--Fiche was trying to get rid of objective reality, but Hegel shows that reality can't be ignored, on the contrary, reality is the interacion of the inner and outer worlds.Ok, so Stoppard is no Dieter Henrich (more of an Isaiah Berlin), but his attempts to connect the development of German Idealism from Kant to Hegel (and its shift toward the materialism of Marx) with the Bildung of the Russian petty bourgeoisie is fun to watch on stage. You can also read the play. I should mention that the play itself is an achievement--in fact it is really three plays, Voyage, Shipwreck, and Salvage that make up The Coast of Utopia
I found this entertaining, which I read about at the blog Virtual Philosopher. It is a recording, available here, of Sir Isaiah Berlin speaking without breathing, with much disgust, and much misunderstanding, perhaps willful misunderstanding, about the Romantic movement and the German Idealists who, according to Berlin were enthusiasts of what he calls the indomitable will that creates values ex nihilo. Here's a quote about the Romantics and Idealists' view: "The heart of the entire process is invention, creation, making out of literally nothing, or out of any materials that may be to hand, and the most central aspect of this view is of course that your universe is, of course, as you choose to make it to some degree, at any rate; that is the philosophy of Fichte, that is to some extent the philosophy of Schelling…" The recording and similar materials can be found at The Isaiah Berlin Virtual Library.